Rigavit unda sanguinis,
Natalis ob diem tui
Hymni tributum solvimus.
Natalis ob diem tui
Hymni tributum solvimus.
And we, whom blessed stream,
Of Sacred Blood has wash’d,
To honor Iesu’s birth,
By hymn now proffer praise.
Hymn from Christmas Vespers. (Translation the author’s own)
The merry contemplation of a mystery as solemn, momentous, and joyful as the Word made flesh, and born into the world in humble circumstance, in order to redeem fallen mankind, cannot be confined to a single day. Indeed, there are, as is commonly sung, twelve days of Christmas, and although the world, like a child begging to open their presents early, is accustomed to dispense with the expectant season of Advent, in order to anticipate the joy of Christmas, these twelve days are the dozen that follow, rather than precede, Christmas Day, and lead up to the feast of the Epiphany on the sixth of January, (though the celebration of this feast is in the United States usually moved to the first Sunday after the first of January.) The liturgical season of Christmas, in fact, lasts until the feast of the Baptism of Our Lord, and traditionally until Candlemas, a feast which still has an intimate connection with the Christmas Mystery.
The Christmas season is one for rejoicing and festivity, for one cannot but rejoice when they consider the mystery of Christmas, but it is also a season set apart for meditation upon Our Lord's Nativity; it is a season to Be mirthful now with all your might / For passed is your dismal night, but it is also a time wherein we ought In holy Church, with mind digest / Him honoring above all thing [1]. To rejoice and to be grateful is man's response to joyous news, and it is unsurprisingly difficult long to rejoice, if one does not keep before their mind the very reason for the joy: How can I keep my Christmas feast / In its due festive show, / Reft of the sight of the High Priest / From whom its glories flow? [2]
There are few ways more apt both to rejoice over and to reflect upon the mystery of Our Lord's Nativity, than by excellent Christmas poetry and hymns: the instruction calls to mind the mystery, while the delight stirs the heart to joy. Be mirthful and make melody! / All Gloria in excelsis cry! [3]. I have, therefore, selected a few Christmas poems of St. Robert Southwell, an English Jesuit and martyr from the reign of Elizabeth I, and included them here; and in order to facilitate their comprehension, I have, without modifying the poems, brought the spelling of the words into conformity with present custom, and added a few explanatory notes.
[1] William Dunbar, On the Nativity of Christ
[2] St. John Henry Newman, Verses on Various Occasions, no. 49
[3] William Dunbar, On the Nativity of Christ
The Burning Babe
As I in hoary [1] winter's night stood shivering in the snow,
Surpris'd I was with sudden heat, which made my heart to glow;
And lifting up a fearful eye to view what fire was near,
A pretty babe, all burning bright, did in the air appear.
Who, scorched with excessive heat, such floods of tears did shed,
As though his floods should quench his flames, which with his tears were fed.
'Alas,' quoth [2] he, 'but newly born, in fiery hearts I fry,' [3]
'Yet none approach to warm their hearts or feel my fire but I!'
'My faultless breast the furnace is, the fuel wounding thorns,'
'Love is the fire, and sighs the smoke; the ashes, shame and scorns.'
'The fuel justice layeth on, and mercy blows the coals,'
'The metal in this furnace wrought, are men's defiled souls,'
'For which, as now on fire, I am to work them to their good,'
'So will I melt into a bath to wash them in my Blood.'
With this he vanished out of sight, and swiftly shrunk away,
And straight [4] I called unto mind, that it was Christmas day.
[1] frosty; "white with frost," (from Samuel Johnson's Dictionary of the English Language). c.f. hoarfrost
[2] said
[3] burn
[4] immediately, at once
This is perhaps St. Southwell’s most famous poem, and is quite genius in its contrast of the Christ Child, ‘scorched with excessive heat,’ to the ‘hoary winter night,’ and the extension of the analogy of the warmth of Christ and the frigidity of the world outside of Him into a profound elaboration. As artists have very ingeniously depicted the scene of the Nativity, such that the principal source of light or illumination for the depiction emanates from the Christ Child [*], signifying that He is the light come into the world of darkness (c.f. Jn. I), so here we are reminded that there is nought but cold in the world, and that we are all ‘shivering in the snow,’ except for our sole refuge of warmth, the Christ Child. The season of Advent is our recollection of the cold darkness we live in; Christmastide, that a Saviour, ‘all burning bright,’ has come to enlighten, to warm, and to vivify us.
[*] vide e.g. Geertgen tot Sint Jans’ Nativity at Night
The Nativity of Christ
Behold the father is his daughter's son,
The bird that built the nest is hatch'd therein;
The old of years an hour hath not outrun,
Eternal life to live doth now begin.
The Word is dumb, the mirth of hea’en doth weep,
Might feeble is, and force doth faintly creep.
O dying souls, behold your Living Spring!
O dazzled eyes, behold your Sun of Grace!
Dull ears, attend what word this Word doth bring;
Up heavy hearts with joy, your Joy embrace!
From death, from dark, from deafness, from despairs,
This Life, this Light, this Word, this Joy repairs.
Gift better than Himself God doth not know,
Gift better than His God, no man can see;
This Gift doth here the Giver given bestow,
Gift to this Gift, let each receiver be.
God is my gift, Himself He freely gave me,
God’s gift am I, and none but God shall have me.
Man alter’d was by sin from man to beast,
Beast’s food is hay, hay is all mortal flesh;
Now God is flesh, and lies in manger prest [1],
As hay the brutest sinner to refresh.
O happy field wherein this Fodder grew,
Whose taste doth us from beasts to men renew!
[1] “Ready, not dilatory,” (from Samuel Johnson's Dictionary of the English Language).
The poem is simple in its form, but the depth is quite profound, and excels his better known poem The Burning Babe in theological richness, and is no less remarkable in the pleasantness of its images, and the ingenuity of its contrasts. There is, however, less unity to the poem’s argument, and the transition from one thought to the next, while not rough, is sudden.
New Prince, New Pompe
Behold a seely [1], tender babe
In freezing winter night
In homely manger trembling lies:
Alas, a piteous sight.
The Inns are full, no man will yield
This little Pilgrim bed;
But forced he is with seely beasts
In crib to shroud his head.
Despise not Him for lying there;
First what he is, inquire.
An orient pearl is often found
In depth of dirty mire.
Weigh not His crib, His wooden dish,
Nor beasts that by Him feed;
Weigh not His mother's poor attire,
Nor Joseph's simple weed [2].
This stable is a Prince's court,
The crib, His chair of state;
The beasts are parcel of His pomp,
The wooden dish, His plate;
The persons in that poor attire
His royal liv'ries [3] wear;
The Prince Himself is come from hea'en:
This pomp is prized there.
With joy approach, O Christian wight [4],
Do homage to thy King,
And highly prize this humble pomp,
which He from hea'en doth bring.
[1] "Lucky, happy," (from Samuel Johnson's Dictionary of the English Language).
[2] "A garment; cloaths; habit; dress," (from Johnson's Dictionary).
[3] "The cloaths given to servants," (from Johnson's Dictionary).
[4] "A person; a being," (from Johnson's Dictionary).
This poem possesses a very pleasant variation, as the iambic meter alternates between trimeter and tetrameter, and with its alternation of rhymed and unrhymed lines, viz. '-, A, -, A, -, B, -, B, -, C, -, C, -' and so on.
The poem begins with the description of Christ’s humble circumstance, and then proceeds to consider the true yet hidden majesty of the Child, the rex regum et dominus dominantium, who inaugurates a new pomp of humility and poverty to characterize His followers, in obrogation of the vain pomp of the world.